The setting is a small boat in a quiet forest in northern Europe. It may be a wreck left by an explorer or a war in a certain factory. The terrain was selected from white boulders, moss, mud, and river sand. The vegetation was selected from the Nordic series of reeds, fluffy grass, dry weeds, moss, dead grass, large dead wood, etc. as decoration. I did this for three nights.

Megascan, UE5

During my working period in Fun-gi,
1. I am mainly planning the game design that related to art and also the revising some of the early out dated art standard documents.

2.Also I was able to use LUT color to change the color variations of the props.

3. I also made precedents props for assets for OS artists to know the standard of the props

4. I made some in-game VFX for the project

Building the entire scene with the Tatum Lynn team for Hollywood's Bleeding MV

https://www.youtube.com/watch?v=wOWNSCTU7aY

Making a UE5 test in the engine, all the props was from Megascan and assets bundle. trying to approach as the feeling if of sathish kumar’s concept art.
This was finished in half day for compositing
https://www.artstation.com/artwork/Ooym68

This is a practice in the Bootcamp from 03 to 07 2021This landscape was used the height map Created in the World Creator, And the foilages were created in the using Unreal Material Function and Editor. Please Enjoy

MAYA, Substance Designer, Substance Painter , Marmoset and Unreal to were used to create an imaginary quiet Tokyo night .

All 2K texture maps

Dungeon art is a simple environment created by Maya, Zbrush and Photoshop, baked in 3D coat, rendered in Marmoset.
Elements are simple, tiles, barrels, walls and pillars, and of course the door.

Quick interior rendering in Vray for Sketch Up. I was tweaking with lighting and also the rendering parameters

All assets from online

Smart Materials that Created in Substance Designer. People can adjust pattern, baseColor map, height map and roughness map easily in program.

This is a hard surface practice I was spending 30Hs on using PBR working process.

Using Maya to make HP and LP models, and unwrap the UV,

Using Substance designer and painter to bake and make the textures and make the rendering . Please enjoy.

God Eater is one of the my favourite RPG.
This is a hard surface practice I was spending 10-15 Hs on using PBR working process.
Using Maya to make HP and LP models, and unwrap the UV, Using Zbrush to make the organic handles
Using Substance designer and painter to bake and make the textures and make the rendering . Please enjoy.

High poly model made in MAYA, the concept was by perter KU

This is the game art Test for anonymous game company. Self-Designed Advanced Archer defence tower with golden glorious arches and fine stone structure.

Quick Game Ready prop Exercise, I made a Tuscan Sidetable in 4 hours( including the LP, HP and materials), I Also export it into the Unity Engine.

This a personal model making practice with pure Zrush of the a stylized character. only Painted in the zbrush no texture

Fanart of Mei from Totoro. Modeled in Maya and painted in substance Painter. I tried to catch her cute chubby body specialties .

This is a quick scene testing in Unreal. And this is the first time that I use Maverlous to create cloth.

Personal watercolor painting, working rendering and robot I designed